63rd national film awards
63rd NATIONAL FILM AWARDS FOR 2015
FEATURE FILMS
S.No.
|
Name of Award
|
Name of Film
|
Awardees
|
Medal
|
Citation
|
||
& Cash Prize
|
|||||||
1.
|
|||||||
BEST FEATURE
|
BAAHUBALI
|
Producer: SHOBU
|
Swarna Kamal
|
An imaginative film and
|
|||
FILM
|
YARLAGADDA AND
|
and
|
|||||
monumental by its production
|
|||||||
ARKA
|
|||||||
values and cinematic brilliance
|
|||||||
MEDIAWORKS (P)
|
2,50,000/-
|
||||||
in creating a fantasy world on
|
|||||||
LTD.
|
each to
|
||||||
screen.
|
|||||||
the Producer and
|
|||||||
Director : S.S
|
Director
|
||||||
RAJAMOULI
|
(CASH
|
||||||
COMPONENT
|
|||||||
TO BE SHARED)
|
|||||||
2.
|
|||||||
INDIRA
|
GANDHI
|
MASAAN
|
Producer:
|
Swarna
|
Kamal
|
For his perceptive approach
|
|
AWARD FOR BEST
|
PHANTOM FILMS
|
and
|
to filmmaking in handling a
|
||||
DEBUT FILM OF A
|
layered story of
|
||||||
DIRECTOR
|
Director : NEERAJ
|
1,25, 000/-
|
|||||
people caught up changing
|
|||||||
GHAYWAN
|
each to
|
||||||
social and moral values.
|
|||||||
the Producer and
|
|||||||
Director
|
|||||||
3.
|
|||||||
BEST
|
POPULAR
|
BAJRANGI
|
Producer: SALMA
|
Swarna
|
Kamal
|
Tackling an important social
|
|
FILM
|
PROVIDING
|
BHAIJAAN
|
KHAN,
|
and
|
|||
issue in the simple heart-
|
|||||||
WHOLESOME
|
SALMAN KHAN,
|
||||||
warming & entertaining format.
|
|||||||
ENTERTAINMENT
|
ROCKLINE
|
2,00,000/-
|
|||||
VENKTESH
|
each to
|
||||||
Director : KABIR
|
the Producer and
|
||||||
KHAN
|
Director
|
||||||
4.
|
||||||||
NARGIS
|
DUTT
|
NANAK SHAH
|
Producer:
|
Rajat Kamal and
|
The saga on the life of the
|
|||
AWARD
|
FOR
|
FAKIR
|
GURBANI MEDIA
|
|||||
great spiritual master
|
||||||||
BEST
|
FEATURE
|
PVT. LTD.
|
1,50,000/- each
|
|||||
FILM
|
ON
|
to
|
advocating the values of peace
|
|||||
and harmony.
|
||||||||
NATIONAL
|
||||||||
the Producer and
|
||||||||
INTEGRATION
|
||||||||
Director
|
||||||||
5.
|
||||||||
BEST
|
FILM
|
ON
|
NIRNAYAKAM
|
Producer: JAIRAJ
|
Rajat Kamal and
|
For tackling a relevant and
|
||
SOCIAL ISSUES
|
FILMS
|
1,50,000/- each
|
unaddressed issue of
|
|||||
Director : V.K
|
curtailing freedom of
|
|||||||
to
|
movement for the common
|
|||||||
PRAKASH
|
||||||||
man due to hartals and
|
||||||||
the Producer and
|
||||||||
Director
|
processions.
|
|||||||
6.
|
||||||||
BEST
|
FILM
|
ON
|
VALIYA
|
Producer:
|
Rajat Kamal and
|
A dramatically disturbing
|
||
ENVIRONMENT
|
CHIRAKULLA
|
ANANTHAKRISHNA
|
exposition of the ill effects
|
|||||
CONSERVATION/
|
PAKSHIKAL
|
PILLAI
|
1,50,000/- each
|
|||||
of pesticides in North
|
||||||||
PRESERVATION
|
to
|
Kerala.
|
||||||
Director : DR. BIJU
|
the Producer and
|
|||||||
Director
|
||||||||
7.
|
||||||||
BEST CHILDREN’S
|
DURONTO
|
Producer: CODE
|
Swarna
|
Kamal
|
Story of a child prodigy on his
|
|||
FILM
|
RED FILMS
|
and
|
undying spirit to achieve the
|
|||||
Director :
|
1,50,000/-
|
impossible.
|
||||||
SOUMENDRA
|
each to
|
|||||||
PADHI
|
the Producer and
|
|||||||
Director
|
||||||||
8.
|
||||||||
BEST DIRECTION
|
BAJIRAO
|
DIRECTOR:
|
Swarna
|
Kamal
|
For the masterful handling of
|
|||
MASTANI
|
SANJAY LEELA
|
and
|
all aspects of the medium of
|
|||||
BANSALI
|
||||||||
cinema to weave a tragic love
|
||||||||
2,50,000/-
|
||||||||
story within a grand historic
|
||||||||
drama.
|
9.
|
|||||
BEST ACTOR
|
PIKU
|
AMITABH
|
Rajat Kamal and
|
A delightful, delectable
|
|
BACHCHAN
|
50,000/-
|
performance of a man who
|
|||
finally lets himself go, at the
|
|||||
age of seventy.
|
|||||
10.
|
|||||
BEST ACTRESS
|
TANU WEDS
|
KANGANA RANAUT
|
Rajat Kamal and
|
For her dynamic portrayal of
|
|
MANU RETURNS
|
|||||
two contrast characters, laced
|
|||||
50,000/-
|
|||||
with mirth and charm.
|
|||||
11.
|
|||||
BEST
|
VISAARANAI
|
SAMUTHIRAKANI
|
Rajat Kamal and
|
For the minimalistic yet stark
|
|
SUPPORTING
|
|||||
and moving performance as a
|
|||||
ACTOR
|
50,000/-
|
||||
cop, caught in a moral
|
|||||
dilemma.
|
|||||
12.
|
|||||
BEST
|
BAJIRAO
|
TANVI AZMI
|
Rajat Kamal and
|
For her powerful portrayal of a
|
|
SUPPORTING
|
MASTANI
|
||||
royal widow caught in the
|
|||||
ACTRESS
|
50,000/-
|
||||
vortex of love for her son and
|
|||||
commitment to the clan.
|
|||||
13.
|
|||||
BEST CHILD
|
BEN
|
GAURAV MENON
|
Rajat Kamal and
|
An outstanding performance
|
|
ARTIST
|
|||||
on a wide spectrum of
|
|||||
50,000/-
|
|||||
emotions, of a boy going
|
|||||
through great turmoil.
|
|||||
14.
|
|||||
BEST MALE
|
KATYAR KALIJAT
|
MAHESH KALE
|
Rajat Kamal and
|
A consummate performance in
|
|
PLAYBACK
|
GHUSLI
|
SONG: ARUNI
|
the best of Hindustani musical
|
||
SINGER
|
KIRANI
|
50,000/-
|
traditions.
|
||
15.
|
|||||
BEST FEMALE
|
DUM LAGA KE
|
MONALI THAKUR
|
Rajat Kamal and
|
A delightful and soulful
|
|
PLAYBACK
|
HAISA
|
rendition of a song of love.
|
|||
SINGER
|
SONG: MOH MOH
|
50,000/-
|
|||
KE DHAGE
|
|||||
16.
|
|||||
BEST
|
BAJIRAO
|
SUDEEP
|
Rajat Kamal and
|
For bringing about an
|
|
CINEMATOGRAPHY
|
MASTANI
|
CHATTERJEE
|
50,000/-
|
outstanding visual dynamics,
|
|
depicting the grand interiors of
|
|||||
each
|
|||||
palaces and vast landscapes
|
|||||
with an artistic interplay of
|
|||||
light & shadows.
|
|||||
17.
|
For effortless movement of the
|
||||
BEST
|
plot structure, and natural
|
||||
SCREENPLAY
|
repartees which happens in a
|
||||
i) Screenplay
|
PIKU
|
JUHI CHATURVEDI
|
Rajat Kamal and
|
delightful love/ hate
|
|
relationship of a father and
|
|||||
Writer (Original):
|
50,000/-
|
||||
AND
|
AND
|
daughter.
|
|||
TANU
|
WEDS
|
HIMANSHU
|
Rajat Kamal and
|
The writer’s interpretation of
|
|
MANU RETURN
|
SHARMA
|
50,000/-
|
love story set in a small town,
|
||
becomes populated with
|
|||||
(CASH
|
interesting characters and
|
||||
COMPONENT
|
|||||
their dialogues and dialects.
|
|||||
TO BE SHARED)
|
|||||
ii) Screenplay
|
TALVAR
|
VISHAL BHARDWAJ Rajat Kamal and
|
The dramatic structure
|
Writer (Adapted) :
|
50,000/-
|
||
devised by this writer
|
|||
effectively mirrors the tragedy
|
|||
of a family when their daughter
|
|||
is found murdered.
|
For effortless movement of the
|
|||||||||
iii)
|
Dialogues :
|
PIKU
|
JUHI CHATURVEDI
|
Rajat Kamal and
|
plot structure, and natural
|
||||
AND
|
AND
|
50,000/-
|
repartees which happens in a
|
||||||
delightful love/ hate
|
|||||||||
TANU
|
WEDS
|
HIMANSHU
|
Rajat Kamal and
|
relationship of a father and
|
|||||
MANU RETURN
|
SHARMA
|
50,000/-
|
daughter.
|
||||||
(CASH
|
The writer’s
|
interpretation of
|
|||||||
COMPONENT
|
love story set in a small town,
|
||||||||
TO BE SHARED)
|
becomes
|
populated
|
with
|
||||||
interesting
|
characters
|
and
|
|||||||
their dialogues and dialects.
|
|||||||||
18.
|
|||||||||
BEST
|
|||||||||
AUDIOGRAPHY
|
|||||||||
i)
|
Location Sound
|
TALWAR
|
SANJAY KURIAN
|
Rajat Kamal and
|
For capturing the natural
|
||||
Recordist
|
50,000/-
|
voices, with all its nuances
|
|||||||
predominantly of characters
|
|||||||||
undergoing great stress.
|
|||||||||
ii)
|
Sound Designer
|
BAJIRAO
|
BISHWADEEP
|
Rajat Kamal and
|
Creating a rich aural tapestry,
|
||||
MASTANI
|
CHATTERJEE
|
||||||||
evoking the romantic moods
|
|||||||||
50,000/-
|
|||||||||
and heroic tension
|
|||||||||
iii)
|
BAJIRAO
|
JUSTIN JOSE
|
Rajat Kamal and
|
Perfect blend of the ambiences
|
|||||
the final mixed track
|
MASTANI
|
50,000/-
|
ranging from royal palace
|
||||||
interiors to war fronts.
|
|||||||||
19.
|
|||||
BEST EDITING
|
VISAARANAI
|
LATE KISHORE T.E
|
Rajat Kamal and
|
Maintaining the momentum
|
|
50,000/-
|
and edginess of the plot
|
||||
progression of police
|
|||||
interrogation, with innovative
|
|||||
editing techniques.
|
|||||
20.
|
|||||
BEST
|
BAJIRAO
|
SHRIRAM
|
Rajat Kamal and
|
For the inventive use of
|
|
PRODUCTION
|
MASTANI
|
IYENGAR, SALONI
|
|||
spaces, props and set
|
|||||
DESIGN
|
DHATRAK AND
|
50,000/-
|
|||
decoration to provide a
|
|||||
SUJEET SAWANT
|
|||||
dramatic setting for a grand
|
|||||
(CASH
|
|||||
historical spectacle.
|
|||||
COMPONENT
|
|||||
TO BE SHARED)
|
|||||
21.
|
|||||
BEST COSTUME
|
NANAK SHAH
|
PAYAL SALUJA
|
Rajat Kamal and
|
An imaginative use of colours,
|
|
DESIGNER
|
FAKIR
|
||||
design and textures to
|
|||||
50,000/-
|
|||||
recreate costumes for a host
|
|||||
of characters, of an era, from
|
|||||
different cultures and
|
|||||
continents.
|
|||||
22.
|
|||||
BEST
|
NANAK SHAH
|
PREETISHEEL G
|
Rajat Kamal and
|
Creating detailed appearances,
|
|
ARTIST
|
FAKIR
|
SINGH AND
|
and meticulous ‘ageing’
|
||
CLOVER
|
50,000/-
|
technique to a wide range of
|
|||
WOOTTON
|
|||||
historic characters.
|
|||||
(CASH
|
|||||
COMPON
|
|||||
ENT TO
|
|||||
BE
|
|||||
SHARED)
|
23.
|
||||||
BEST MUSIC
|
ENNU NINTE
|
M JAYACHANDRAN
|
Rajat Kamal and
|
Creating a haunting melodic
|
||
DIRECTION
|
MOIDEEN
|
composition, that resonates
|
||||
a)
|
Songs
|
SONG:KAATHIRUN
|
50,000/-
|
the tragic love story
|
||
NU KAATHIRUNNU
|
||||||
b)
|
Background
|
THAARAI
|
ILAIYARAAJA
|
Rajat Kamal and
|
For effectively using folk
|
|
Score
|
||||||
THAPPATTAI
|
musical instruments and
|
|||||
50,000/-
|
||||||
melodies, to give a harmonic
|
||||||
layer of meaning to the world
|
||||||
of the characters.
|
||||||
24.
|
||||||
BEST LYRICS
|
DUM LAGA KE
|
VARUN GROVER
|
Rajat Kamal and
|
For the fresh simple array of
|
||
HAISA
|
SONG: MOH MOH
|
50,000/-
|
metaphors, in the form of a
|
|||
song, expressing love.
|
||||||
KE DHAGE
|
||||||
25.
|
||||||
SPECIAL JURY
|
MARGARITA WITH
|
KALKI KOCHLIN
|
Rajat Kamal and
|
For the realistic performance
|
||
AWARD
|
STRAW
|
2,00,000/-
|
as a young woman afflicted
|
|||
with cerebral palsy.
|
||||||
26.
|
||||||
BEST
|
BAJIRAO
|
REMO D’SOUZA
|
Rajat Kamal and
|
For creating enchanting
|
||
CHOREOGRAPHY
|
MASTANI
|
SONG: DEEW ANI
|
50,000/-
|
moves that expresses anguish
|
||
of love, defying social barriers,
|
||||||
MASTANI
|
||||||
resonating the core theme of
|
||||||
the film.
|
||||||
27.
|
|||||||
BEST SPECIAL
|
BAAHUBALI
|
V. SRINIVAS
|
Rajat Kamal and
|
For creating
|
|||
EFFECT
|
MOHAN
|
50,000/-
|
special effects which bring out
|
||||
the emotional and dramatic
|
|||||||
upheavals of the story.
|
|||||||
28.
|
|||||||
BEST FEATURE FILM IN EACH OF THE LANGUAGE SPECIFIED IN THE SCHEDULE VIII OF THE CONSTITUTION
|
|||||||
a)
|
|||||||
BEST ASSAMESE
|
KOTHANODI
|
Producer:
|
Rajat Kamal and
|
A stylised, poetic film inter-
|
|||
FILM
|
ANURUPA
|
weaving four folk stories,
|
|||||
HAZARIKA
|
1,00,000/-
|
evoking the terrifying
|
|||||
each
|
|||||||
undercurrents of human mind
|
|||||||
Director :
|
|||||||
as depicted in folk mythology.
|
|||||||
BHASKAR
|
to the Producer
|
||||||
HAZARIKA
|
and Director
|
||||||
b)
|
|||||||
BEST BENGALI
|
SHANKHACHIL
|
Producer: NIDEAS
|
Rajat Kamal and
|
An evocative story that
|
|||
FILM
|
CREATIONS &
|
highlights the theme of
|
|||||
PRODUCTIONS
|
1,00,000/- each
|
suffering humanity, divided by
|
|||||
PVT LTD.
|
|||||||
national borders.
|
|||||||
to the Producer
|
|||||||
Director :
|
and Director
|
||||||
GOUTAM GHOSE
|
|||||||
.
|
|||||||
c)
|
|||||||
BEST HINDI FILM
|
DUM LAGA KE
|
Producer:
|
Rajat Kamal and
|
A sweet and resonant film set
|
|||
HAISHA
|
MANEESH
|
in Haridwar and challenges the
|
|||||
SHARMA & YASH
|
1,00,000/- each
|
middle class prejudices in
|
|||||
RAJ FILMS
|
|||||||
choosing a bride.
|
|||||||
to the Producer
|
|||||||
Director : SHARAT
|
and Director
|
KATARIYA
|
|||||
(CASH
|
|||||
COMPONENT
|
|||||
TO BE SHARED)
|
|||||
d)
|
|||||
BEST KANNADA
|
THITHI
|
Producer:
|
Rajat Kamal and
|
A striking and realistically
|
|
FILM
|
PRSPCTVS
|
||||
charming portrayal of life in a
|
|||||
PRODUCTIONS
|
1,00,000/- each
|
||||
village, told in the idiom of
|
|||||
PVT LTD.
|
|||||
comedy and surrealism.
|
|||||
to the Producer
|
|||||
Director : RAAM
|
and Director
|
||||
REDDY
|
|||||
e)
|
|||||
BEST KONKANI
|
ENEMY
|
Producer: A
|
Rajat Kamal and
|
A powerful film about a
|
|
FILM
|
DURGA PRASAD
|
1,00,000/- each
|
soldier’s plight, caught up in
|
||
the legal entanglement trying
|
|||||
Director: DINESH
|
|||||
to safeguard his property.
|
|||||
P. BHONSLE
|
to the Producer
|
||||
and Director
|
|||||
f)
|
|||||
BEST MALAYALAM
|
PATHEMARI
|
Producer: ALLENS
|
Rajat Kamal and
|
Artistically narrated saga of
|
|
FILM
|
MEDIA
|
1,00,000/- each
|
two generations of Malayali
|
||
workers who migrated to the
|
|||||
Director: SALIM
|
|||||
gulf for livelihood, told
|
|||||
AHAMED
|
to the Producer
|
||||
and Director
|
through the poignant story of
|
||||
one man.
|
|||||
g)
|
|||||
BEST MARATHI
|
RINGAN
|
Producer: MY
|
Rajat Kamal and
|
A heart rending survival story
|
|
FILM
|
ROLE MOTION
|
||||
of a
|
|||||
PICTURES
|
1,00,000/- each
|
||||
decide to fight and live rather
|
|||||
Director:
|
to the Producer
|
than end their lives, in the
|
|||
MAKARAND MANE
|
and Director
|
background of farmer suicides
|
|||
in Maharashtra.
|
|||||
h)
|
|||||
BEST ODIYA FILM
|
PAHADA RA LUHA
|
Producer:
|
Rajat Kamal and
|
Chronicles 25 years of the life
|
|
MOHAPATRA
|
|||||
of innocent tribals of Odisha,
|
|||||
MOVIE MAGIC
|
1,00,000/- each
|
||||
PVT. LTD.
|
in the backdrop of the massive
|
|||||
Director:
|
to the Producer
|
political transformations and
|
||||
and Director
|
maoist insurgency.
|
|||||
SABYASACHI
|
||||||
MOHAPATRA
|
||||||
i)
|
||||||
BEST PUNJABI
|
CHAUTHI KOOT
|
Producer: NFDC &
|
Rajat Kamal and
|
Effectively captures the sense
|
||
FILM
|
KARTIKEYA SINGH
|
|||||
of fear psychosis and tension
|
||||||
1,00,000/- each
|
||||||
during the times of insurgency
|
||||||
Director:
|
||||||
in Punjab.
|
||||||
GURVINDER
|
to the Producer
|
|||||
SINGH
|
and Director
|
|||||
VISAARANAI
|
Producer:
|
Rajat Kamal and
|
A gripping drama about the
|
|||
j)
|
BEST TAMIL FILM
|
WUNDERBAR
|
||||
atrocities thrust on by the
|
||||||
FILMS
|
1,00,000/- each
|
|||||
police on innocent citizens,
|
||||||
Director: VETRI
|
to the Producer
|
based on a true story.
|
||||
MAARAN
|
and Director
|
|||||
k)
|
||||||
BEST TELUGU FILM
|
KANCHE
|
Producer: Y.
|
Rajat Kamal and
|
Barriers of caste and
|
||
RAJEEV REDDY
|
||||||
conventions breaks down as
|
||||||
1,00,000/- each
|
||||||
this romantic period drama
|
||||||
Director: RADHA
|
||||||
unveils it magic.
|
||||||
KRISHNA
|
to the Producer
|
|||||
JAGARLAMUDI
|
and Director
|
|||||
(KRISH)
|
||||||
l)
|
||||||
BEST SANSKRIT
|
PRIYAMANASAM
|
Producer: BABY
|
Rajat Kamal and
|
An artistic and culturally
|
||
FILM
|
MATHEW
|
|||||
vibrant portrayal of the mind of
|
||||||
SOMATHEERAM
|
1,00,000/- each
|
|||||
a poet during the time he
|
||||||
Director: VINOD
|
to the Producer
|
creates his masterpiece
|
||||
MANKARA
|
and Director
|
Nalacharitam.
|
||||
m)
|
||||||
BEST MAITHILI
|
MITHILA MAKHAAN
|
Producer: NEETU
|
Rajat Kamal and
|
A
|
||
FILM
|
CHANDRA &
|
with great sincerity, about a
|
||||
SAMIR KUMAR
|
1,00,000/- each
|
|||||
courageous youthful rescue
|
effort, happening in Bihar.
|
|||||
Director: NITIN
|
to the Producer
|
||||
CHANDRA
|
and Director
|
||||
n)
|
|||||
BEST MIZO FILM
|
KIMA’S LODE
|
Producer:
|
Rajat Kamal and
|
An adventurous
|
|
BEYOND THE
|
CHILDREN’S FILM
|
story of a boy, set in the
|
|||
CLASS
|
SOCIETY
|
1,00,000/- each
|
pristine environments of
|
||
Director: ZUALAA
|
to the Producer
|
Mizoram.
|
|||
CHHANGTE
|
and Director
|
||||
o)
|
|||||
BEST MANIPURI
|
EIBUSU
|
Producer:
|
Rajat Kamal and
|
A moving film about the
|
|
FILM
|
YAOHANBIYU
|
YUNMAN HITALAR
|
victory of a
|
||
(NETA) SINGH
|
1,00,000/- each
|
boy’s attempt to join a football
|
|||
Director:
|
to the Producer
|
team.
|
|||
MAIPAKSANA
|
and Director
|
||||
HAORONGBAM
|
|||||
29.
|
|||||
BEST FEATURE FILM IN EACH OF THE LANGUAGE SPECIFIED OTHER THAN SCHEDULE VIII OF THE CONSTITUTION
|
|||||
a)
|
|||||
BEST WANCHO
|
THE HEAD
|
Producer: SPLASH
|
Rajat Kamal and
|
A cinematic contemplation on
|
|
FILM
|
HUNTER
|
FILMS PRIVATE
|
the lives of the Wancho tribe,
|
||
LIMITED
|
1,00,000/- each
|
regarding the balance required in
|
|||
modernising tribal environment,
|
|||||
Director:
|
to the Producer
|
while intruding and displacing
|
|||
NILANJAN DATTA
|
and Director
|
their lifestyles.
|
|||
b)
|
|||||
BEST HARYANVI
|
SATRANGI
|
Producer: PUNAM
|
Rajat Kamal and
|
||
FILM
|
DESWAL SHARMA
|
The film earnestly tries to
|
|||
1,00,000/- each
|
address the social issue of
|
||||
Director:
|
neglect of the girl child in the
|
||||
SUNDEEP
|
to the Producer
|
state of Haryana and the eventual
|
|||
SHARMA
|
and Director
|
empowering of the girl.
|
|||
c)
|
|||||
BEST KHASI FILM
|
ONAATAH
|
Producer: POMU
|
Rajat Kamal and
|
A sensitive portrayal of a rape
|
|
DAS- MARJINA
|
victim in the course of her
|
||||
KURBAH
|
1,00,000/- each
|
revival, in the healing
|
|||
Director: PRADIP
|
background of the tribal setting.
|
||||
to the Producer
|
|||||
KURBAH
|
and Director
|
||||
g)
|
|||||
BEST BODO FILM
|
DAU
|
Producer:
|
Rajat Kamal and
|
An honest attempt to
|
|
HUDUNI METHAI
|
SHANKARLAL
|
document the dilemma of the
|
|||
GOENKA
|
1,00,000/- each
|
common man, helplessly
|
|||
Director: MANJU
|
victimised during the times of
|
||||
BORAH
|
to the Producer
|
||||
and Director
|
insurgency in the north east.
|
||||
30.
|
SPECIAL MENTION
|
||||
a)
|
SPECIAL MENTION
|
SAIRAT
|
RINKU RAJGURU
|
CERTIFICATE
|
For her effective portrayal of a
|
lively girl who defies societal
|
|||||
norms but ultimately has to
|
|||||
face the wrath of her family.
|
|||||
b)
|
|||||
SPECIAL MENTION
|
SU SU SUDHI
|
JAYASURYA
|
CERTIFICATE
|
For his inventive and heartfelt
|
|
VATHMEEKAM
|
performance in varied roles.
|
||||
&
|
|||||
LUKKA CHUPPI
|
c)
|
|||||
SPECIAL MENTION
|
IRUDHI SUTTRU
|
RITIKA SINGH
|
CERTIFICATE
|
For her gutsy performance of a
|
|
boxer in the making.
|
|||||
In case award being shared between two films or more than one director the cash component would be shared.
The awardees have been listed as per the entry forms received and Credit Titles of the submitted films.
1
63rd NATIONAL FILM AWARDS FOR THE YEAR 2015
S.No.
|
Name of Award
|
Name of Film
|
Awardee
|
Medal & Cash
|
Citation
|
Prize
|
|||||
1.
|
BEST NON FEATURE
|
Amdavad Ma
|
Producer:
|
SWARNA
|
The kites soar high bringing alive the
|
FILM
|
Famous
|
Akanksha Tewari
|
KAMAL
|
colours of the land.
|
|
& Arya A. Menon
|
&
|
||||
1,50,000/-
|
|||||
each to the
|
|||||
Director: Hardik
|
Producer &
|
||||
Mehta
|
Director
|
||||
2.
|
BEST DEBUT FILM
|
Daaravtha
|
Producer:
|
A stepping stone towards reinventing
|
|
OF A DIRECTOR
|
Nishantroy
|
RAJAT KAMAL
|
the age old shackles of society.
|
||
Bombarde
|
&
|
||||
75,000/- each to
|
|||||
Director:
|
the Producer &
|
||||
Nishantroy
|
Director
|
||||
Bombarde
|
|||||
3.
|
BEST
|
Aoleang
|
Producer: Maulana
|
RAJAT KAMAL
|
Watering the roots to hold onto the
|
ANTHROPOLOGICAL
|
Abul Kalam Azad
|
&
|
ethos and history of the land and its
|
||
/
|
Institute of Asian
|
50,000/- each to
|
people.
|
||
ETHNOGRAPHIC
|
Stuidies
|
the Producer
|
|||
FILM
|
&
|
||||
Director: Ranajit
|
50,000/-
|
||||
Ray
|
Director
|
||||
1
|
2
4.
|
BEST
|
Life in
|
Producer:
|
RAJAT KAMAL
|
Philosophical images of life and
|
BIOGRAPHICAL/
|
Metaphors: A
|
Reelism Film
|
&
|
beyond.
|
|
HISTORICAL
|
Portrait of
|
50,000/- each to
|
|||
RECONSTRUCTION
|
Girish
|
Director: O.P
|
the Producer &
|
||
Kasaravalli
|
Shrivastava
|
Director
|
|||
5.
|
BEST ARTS
|
1. A Far
|
Producer: Piramal
|
1. Breathing life into the canvas
|
|
/CULTURAL FILM
|
Afternoon- A
|
Art Foundation
|
to articulate and assimilate.
|
||
Painted Saga
|
|||||
Director: Sruti
|
|||||
Harihara
|
RAJAT KAMAL
|
||||
Subramanian
|
&
|
||||
50,000/- each to
|
|||||
the Producer &
|
|||||
And
|
And
|
Director*
|
And
|
||
(Cash Component
|
|||||
2. Yazhpanam
|
Producer:
|
to be shared)
|
2. Crossing over the boundaries to
|
||
Thedchanamo
|
Siddhartha
|
resurrect the art of Tavil.
|
|||
orthy
|
Productions
|
||||
Beyond
|
|||||
Boundaries
|
Director: Amshan
|
||||
Kumar
|
|||||
6.
|
BEST PROMOTIONAL
|
Weaves of
|
Producer:
|
RAJAT KAMAL
|
Strengthening the fabric of age old
|
FILM (to cover tourism,
|
Maheshwar
|
Storyloom Films
|
&
|
practices with newer threads.
|
|
exports, crafts, industry
|
50,000/- each to
|
||||
etc)
|
Director: Keya
|
the Producer &
|
|||
Vaswani & Nidhi
|
Director
|
||||
Kamath
|
|||||
2
|
3
7.
|
BEST
|
1. The Man
|
Producer: Rajiv
|
||
ENVIRONMENT FILM
|
who Dwarfed
|
Mehrotra, PSBT
|
1. An urge to embrace for a better
|
||
INCLUDING
|
the Mountains
|
habitat.
|
|||
AGRICULTURE
|
Director: Ruchi
|
RAJAT KAMAL
|
|||
Shrivastava &
|
&
|
||||
Sumit Sunderlal
|
50,000/- each to
|
||||
Khanna
|
the Producer &
|
||||
Director*
|
|||||
And
|
And
|
And
|
|||
(Cash Component
|
|||||
to be shared)
|
|||||
2. God On
|
Producer:
|
2. Rediscovering the distances between
|
|||
The Edge
|
Elements Picture
|
man and the wild.
|
|||
Studio
|
|||||
Director: Ashok
|
|||||
Patel
|
|||||
8.
|
BEST FILM ON
|
Auto Driver
|
Director: Longjam
|
RAJAT KAMAL
|
|
SOCIAL ISSUES
|
Meena Devi
|
&
|
|||
50,000/- each
|
|||||
Producer:
|
Producer &
|
||||
Oinam Doren &
|
Director
|
||||
Longjam Meena
|
|||||
Devi
|
|||||
3
4
9.
|
BEST EDUCATIONAL
|
Paywat
|
Producer:
|
RAJAT KAMAL
|
A walk through on a winning path.
|
FILM
|
Mithunchandra
|
&
|
|||
Chaudhari
|
50,000/- each to
|
||||
the Producer &
|
|||||
Director: Nayana
|
Director
|
||||
Dolas &
|
|||||
Mithunchandra
|
|||||
Chaudhari
|
|||||
10.
|
BEST EXPLORATION/
|
Dribbling
|
Producer: N.
|
RAJAT KAMAL
|
Sporting determination against an
|
ADVENTURE FILM
|
with their
|
Dinesh Raj Kumar
|
&
|
uphill journey.
|
|
(TO INCLUDE
|
Future
|
& Mathew
|
50,000/- each
|
||
SPORTS)
|
Varghese
|
to the Producer &
|
|||
Director
|
|||||
Director: Jacob
|
|||||
Varghese
|
|||||
11.
|
BEST
|
Tezpur 1962
|
Producer: Films
|
RAJAT KAMAL
|
Lost in the mist of time – an attempt to
|
INVESTIGATIVE
|
Division
|
&
|
trace the untold…
|
||
FILM
|
50,000/- each to
|
||||
Director: Samujjal
|
the Producer &
|
||||
Kashyap
|
Director
|
||||
12.
|
BEST ANIMATION
|
Fisherwoman
|
Producer: Nilima
|
RAJAT KAMAL
|
To dream a dream through lines and
|
FILM
|
and TukTuk
|
Eriyat
|
&
|
strokes.
|
|
50,000/- each to
|
|||||
Director: Suresh
|
the Producer,
|
||||
Eriyat
|
Director &
|
||||
Animator
|
|||||
Animator: Studio
|
|||||
Eeksaurus
|
|||||
Productions Private
|
|||||
Limited
|
|||||
4
|
5
13.
|
SPECIAL JURY
|
In Search of
|
Producer: Films
|
RAJAT KAMAL
|
Fading colours of the twilight of an era.
|
AWARD
|
Fading
|
Division
|
&
|
||
Canvas
|
50,000/- each to
|
||||
Director: Manohar
|
the Producer &
|
||||
Singh Bisht
|
Director
|
||||
14.
|
BEST SHORT
|
Aushadh
|
Producer: Amol
|
RAJAT KAMAL
|
An untiring effort to stay humane.
|
FICTION FILM
|
Deshmukh
|
&
|
|||
50,000/- each
|
|||||
Director: Amol
|
to the Producer &
|
||||
Deshmukh
|
Director
|
||||
15.
|
BEST FILM ON
|
Best Friends
|
Producer: Syed
|
RAJAT KAMAL
|
Reclaiming strained chords.
|
FAMILY VALUES
|
Forever
|
Sultan Ahmed
|
&
|
||
(Edumedia India
|
50,000/- each to
|
||||
Pvt. Ltd.)
|
the Producer &
|
||||
Director
|
|||||
Director: Sandeep
|
|||||
Modi
|
|||||
16.
|
BEST DIRECTION
|
Kamuki
|
Director: Christo
|
SWARNA
|
A sensitive portrayal of a young
|
Tomy
|
KAMAL
|
woman’s determination to uphold her
|
|||
&
|
dignity against odds.
|
||||
1,50,000/-
|
|||||
17.
|
BEST
|
Benaras- The
|
Cameraperson:
|
RAJAT KAMAL
|
Poetry of visuals leaving a lasting
|
CINEMATOGRAPHY
|
Unexplored
|
Amartya
|
&
|
imprint.
|
|
Attachments
|
Bhattacharyya
|
50,000/- to
|
|||
Cameraperson
|
|||||
18.
|
BEST
|
Edpa Kana
|
Audiographer:
|
RAJAT KAMAL
|
Soulful sound amidst silence –
|
AUDIOGRAPHY
|
Moumita Roy
|
&
|
differences made audible.
|
||
50,000/-
|
|||||
19.
|
BEST EDITING
|
Breaking Free
|
Editor: Pravin
|
RAJAT KAMAL
|
An orchestrated cuts and curves to
|
Angre and Sridhar
|
&
|
depict the hardship of the oppressed.
|
|||
Rangayan
|
50,000/- *
|
||||
to Editor
|
|||||
5
|
6
(Cash Component
|
||||||
to be shared)
|
||||||
20.
|
BEST MUSIC
|
A Far
|
Aravind - Shankar
|
RAJAT KAMAL
|
Harmony of notes enhancing the brush
|
|
Afternoon- A
|
&
|
strokes breathing life through the
|
||||
Painted Saga
|
50,000/- *
|
canvas.
|
||||
(Cash Component
|
||||||
to be shared)
|
||||||
21.
|
BEST NARRATION/
|
1. Mala Laj
|
1. Narrator:
|
1. The rich baritone of the narrative
|
||
VOICE OVER
|
Watat Nahai
|
Harish Bhimani
|
underlines the plight of the
|
under
|
||
RAJAT KAMAL
|
privileged.
|
|||||
&
|
||||||
And
|
And
|
And
|
||||
(Cash Component
|
||||||
2. Arangile
|
2. Narrator:
|
to be shared)
|
2. The rich history of voice
|
artistry
|
||
Nithya
|
Aliyaar
|
|||||
enhancing the narrative of a
|
living
|
|||||
Vismayam
|
||||||
legend.
|
||||||
Guru
|
||||||
Chemancherr
|
||||||
y
|
||||||
Kunhiraman
|
||||||
Nair
|
||||||
22.
|
SPECIAL MENTION
|
1. The
|
Director: Arun
|
1. The twists and turns of a distorted
|
||
Chameleon
|
Shankar
|
CERTIFICATE
|
mind.
|
|||
And
|
And
|
And
|
||||
2. Amma
|
Director: Neelan
|
2. The rich tapestry of an era of
|
||||
struggle seen through the eyes of the
|
||||||
6
|
7
protagonist.
|
|||||
And
|
And
|
And
|
|||
Director: Varun
|
3. Conglomeration of sense and
|
||||
3. Syaahi
|
Tandon
|
||||
sensibilities depicted through the
|
|||||
innocence of a young mind.
|
|||||
In case award being shared between two films or more than one director the cash component would be shared.
The awardees have been listed as per the entry forms received and Credit Titles of the submitted films.
7
1
63rd National Film Awards, 2015
Best Writing on Cinema
Best Book on Cinema
Title of the Book
|
Author
|
Publisher
|
Citation
|
|
DR. RAJAKUMAR
|
Swarna Kamal and
|
Swarna Kamal
|
Doddahulluru Rukkoji’s work is an encyclopaedic
|
|
SAMAGRA CHARITHRE
|
Rs 75000/- to the
|
and Rs 75000/-
|
study into the life and career of one of India’s
|
|
Author:
|
to
|
the
|
greatest screen legends Dr Rajkumar. The 15 year
|
|
DODDAHULLURU
|
Publisher:
|
research behind the writing of this double volume
|
||
RUKKOJI
|
PREETI
|
makes it a valuable resource for scholars, students
|
||
PUSTAKA
|
and cinephiles of today and tomorrow.
|
|||
PRAKASHANA
|
||||
Special Mention
Title of the Book
|
Author
|
Citation
|
Forgotten Masters of
|
Only Certificate :
|
Satish Chopra’s book is an anecdotal and affectionate insight that
|
Hindi Cinema
|
Satish Chopra
|
brings to life the early maestros of Hindi film music. Written from
|
the perspective of a lifelong music lover, its effervescence engages
|
||
and makes one fall in love with the classics again.
|
||
2
Best Film Critic
Name of the Critic
|
Citation
|
Swarna Kamal and Rs
|
Meghachandra Kongbom interprets the world of Indian cinema for his readers in
|
75000/- to the Critic:
|
Manipuri. His lucid understanding and love for cinema makes him the ideal “Film
|
MEGHACHANDRA KONGBAM
|
Whisperer” in Manipur, where access to Indian films is often limited.
|
In case award being shared between two or more than one the cash component would be shared.
The awardees have been listed as per the entry forms received.
Comments